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Two Loons for Tea (1st Album)

by Two Loons for Tea

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1.
Carousel 05:06
There she goes again Off to ride the carousel Off to gather kind words and compliments In a very short dress In a very short dress Leftovers and lovers Consumed before the light Every one looks pretty As long as there is night Losing coats and hats in lovers’ cars You’re losing friends You don’t know who they are Climbing ladders that don’t interest you Chasing rabbits, well, you always do Tie your tiger to an old tree root You’re sticking pins inside your soldier’s boots Want everything, everything, everything Everything, everything… Leftovers and lovers Consumed before the light Every one looks pretty As long as there is night
2.
Brick Wall 03:14
Brick Wall (lyrics by Triana Villante) Should I have a heart of stone? Should I wear a face of glass? If the love that I feel is torture Then these thoughts of you should never last In a world constructed of glass and stone I’m the only one that I can call my own In the rivers that flow and the sun that shines Comes a feeing that clings like an ivy vine to a brick wall All of my love goes wasted All of my passion lay covered in dust At the top of my closet With my faded photographs There’s a vase of tears That’s beginning to rust In a world constructed of glass and stone I’m the only one that I can call my own In the rivers that flow and the sun that shines Comes a feeing that clings like an ivy vine to a brick wall Well, you’re making sure to keep me at a distance But you’re good enough to acknowledge my existence Safe behind your reason you refuse to think Safe behind your brick wall Will you ever love again? In a world constructed of glass and stone I’m the only one that I can call my own In the rivers that flow and the sun that shines Comes a feeing that clings like an ivy vine to a brick wall
3.
Boy 04:55
Stand in line Take a number You’re no different from one to the other, no I know he’s just a boy He’ll be replaced You best believe it You’re gonna lose yourself If you don’t leave him I know, he’s just a boy You tell yourself He’ll never love anyone the way he loved you But you know, you know This is just not, this is just not true He’s just a boy, a boy He’s just a boy, a boy Crescent moon Silver stars Strewn around her neck Throw some coins, choose a card She’s got seven, she’s got seven decks She says angels follow her around They always interfere with love She’s out on, she’s out on the town She wants a boy, a boy She wants a boy, oh, oh… a boy I know you think you won the prize Because you’re sleeping in his bed But before too long Out to the pasture girl you will be led So stand in line Take a number You’re no different from one to the other I know he’s just a boy He’s just a boy, a boy He’s just a boy, oh, oh… a boy Goodbye, goodbye, goodbye boy I’ve got to move on I’ve got to move on
4.
Neon Nothing 06:19
Cracked faces, with cracked smiles Cracked pavement, speaking in tongues Hungry for rain Trying to escape The blue light of an earring You wouldn’t believe where I’ve been You wouldn’t believe where I’ve been You wouldn’t believe where I’ve been Come on, Come on, Come on, Come on Come on, Come on, Come on, Let’s go. Come on, Come on, Come on, Come on Come on, Come on, Come on, Let’s go. Let go. Living in boxes, living out drama In aisle three searching for tacos I’ve been waiting in line For a lifetime I’ve been waiting for my people To come and say We’ve been waiting for you Could you take a photo Of my soul before I go Could I take a photo Of your soul before I go I open my mouth to speak And a bird gets stuck between my teeth I though it was gone But at night my dream was blue And cut like facets of a jewel Like a thousand windows Broken and shattered I take a shard and anoint myself With blue jewels, blue jays Red blood, red birds and cardinals Somewhere above my pillow Hovering A neon nothing I don’t know who you are I’ve never seen your face Except for when I was awake
5.
Prowling through the bar room Like a movie star Will he buy your drink If you give him your best wink? Feel the empty space Melt an icy face Throw the dog a bone Can you take him home? The woman’s in red The man is blue The light is green What will they do? The coast is clear The weather’s just right But how will they feel after tonight? Rubies in a glass Ruby makes it fast Home away from home In seduction mode Do you have a pen? What’s your name again? Can I have a light? Can I take you home? Flame is every color there is Passion, ruby red the coast is clear And will he climb aboard? Will he follow through? The train of fascination Bound to leave soon Ice cube crocodile Crocodile of tears Feel her hosiery Rub her rosary Keep your feelings stashed Courtship wears a mask Honesty’s a drag Chewing ice cubes made of glass The night is young and so are we What’s to come, what will come to be The night is young and so are we Kiss me now or leave me Flame is every color there is Passion, ruby red, the coast is clear
6.
Stones and bones and marigolds Flowers stones and bones Stones and bones, you’ve scarred my soul This is not my home In the house upon the hill Things are out of hand Everyone’s undone Foundation made of sand The lovers who once loved Now in separate beds Playing little games Messing with each others heads Stones and bones and marigolds Flowers stones and bones Stones and bones, you’ve scarred my soul This is not my home The trees are dancing in the wind To the songs of the chimes Hope that I can make it through These are trying times The children laughing loud Dogs are barking, too Mowers mowing lawns This is not where I belong Stones and bones and marigolds Flowers stones and bones Stones and bones, you’ve scarred my soul This is not my home This is not my home
7.
Women whisper by the window Watching the open sea Are they waiting there for someone? Are they waiting there for me? Don’t you worry your pretty little head Daddy’s gonna love you Till the day he’s dead Hold his hand And do a little dance He’s directing traffic With a bottle in his hand He wants a virgin He wants a whore He likes to listen to me From behind the door Sweet as marzipan Then we’ll watch Then we’ll watch What’s to come I’ve begun The world hums I didn’t ask for the sky But there it is I didn’t ask to see the truth But there it is again, again The end is near I fear So let’s drink wine And toast To the New Year Everything is ready Everything is ready to go Everything is ready Ready to explode
8.
Strangers 05:15
I won’t change my name for you ‘Cause I want to travel round the world See things that I never seen before You’d just hold me down You’d just hold me down I see you in shadows, in faces, in cafes Your image is constant You are constant Isn’t it strange that we are strangers now How strange that we are strangers now I have one thing that I hold on to I knew you when you were young I knew you when, I knew you then I knew you when I knew you when, I knew you then I knew you when I take it back I didn’t mean what I said It’s too late anyway You didn’t wait anyway It’s never as simple as it sounds Simple as it sounds Isn’t it strange that we are strangers now Oh, how strange that we are strangers now Once we were one Oh, we were one We were one We were one
9.
Parachute 05:07
She wants to glide in a parachute Paper-thin She feels so large up there Looking down at them Oh, fire up the forgiving You – are you dead or living? Another day, another fifteen cents Where is my tiger, he’s over the fence You never tell her What she needs to hear Just keep her guessing You fill her up with doubt and fear Oh, fire up the forgiving You, are you dead or living? Another day, another fifteen cents Where is my tiger, he’s over the fence You, with your loud pride Mixed with Haitian rum You with your sidestepping The decay of your love You sit and smoke with a stranger Don’t stay too long I know that you said she was crazy But you needed someone Oh, fire up the forgiving You, are you dead or living? Another day, another fifteen cents Where is my tiger, he’s over the fence.

about

"An album of tremendous intelligence and range." ~ CD Baby

"I have been utterly obsessing over the eponymous debut album of a Seattle group, Two Loons for Tea. This is a wonderful combination of jazz, pop, trip hop, electronica, atmospheric guitar, and great raspy/rich vocals. Listening to the album as a whole has been a revelation. There's something about their sound that is just what I want to hear right now -- the mix of smoothness with liveliness and depths of the flowing sound. And of course the great guitar and vocals. Heavenly." ~ The Ectophile's Guide to Good Music

"Two Loons for Tea's self-titled debut is an innovative and lively recording that is brought to life by members of Edie Brickell & the New Bohemians, Living Daylights, Critters Buggin, and King Crimson. This recording was crafted by a slew of guest musicians, but at the center of the project are two gifted artists who have eloquently and articulately brought their musical ideas and cross-genre influences to the fore: Jonathan Kochmer and Sarah Scott.

"Kochmer and Scott's musical and artistic bond is quite apparent on this record, and the unity that you hear in their recordings lets you know that they've mastered the art of collaborative songwriting. Kochmer's introspective guitar playing is the nucleus of the songs that make up this recording, and Scott's vocals and lyrics compliment the guitar so well that it seems that these two individual timbral voices are one. The music on Two Loons for Tea moves between somber and lively; the emotional landscape in between is bridged by a variety of ethnic and orchestral instruments -- including vibes, viola, erhu, and tabla -- that seem to breathe new life into the compositions just at the time where they become too pop-oriented, thus providing a bit of an experimental and eclectic streak to most of the works that make up this recording.

This is an interesting recording that's quite dark and elusive. This recording has a bit of a singer/songwriter feel, but it's more eclectic and more diverse than most of the recordings in that genre, thus making it hard to pin this down to a specific genre. Fans of good music that's both fresh and interesting will be pleased with this release." ~ All Music Guide

"This is really good stuff, although like a lot of really good stuff, it's very difficult to describe. Kochmer, the ensemble’s main instrumentalist and composer, draws on so many musical influences that in less capable hands the result would be a mish-mash, but instead what you get are tuneful, finely crafted soundscapes that might have started life as folk tunes or pop ditties before taking a sharp left turn into experimental territory. Then there's vocalist Scott, who avoids the usual female-vocalist pigeonholes by simply transcending all of them. She may sound like Marianne Faithfull on one song, or like Tori Amos on another, but such comparisons aren't really adequate. Overall, this is intelligent, mind-altering stuff, and it's even legal." ~ Tablet Magazine

"9 songs from the duo of Sarah Scott (vocals) and Jonathan Kochmer (guitars) with many superb guest artists pitching in, guitarist Trey Gunn (King Crimson), and violinist Eyvind Kang (Bill Frisell) are just a couple of many notable players. Musically this one defies genre categorization, which in many ways is the joy of it. A confluence of pop, trip-hop, rock, jazz and drum n' bass elements make this immediately of appeal to a wide range of music fans. Highest recommendation for this one!!" - CD Basement

credits

released October 30, 2001

Two Loons for Tea is Jonathan Kochmer and Sarah Scott, and many friends and guests invited for Musical Tea on various tracks (see each track for specific credits).

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Two Loons for Tea Seattle

Two Loons for Tea is the eclectic trip-hop, electro-acoustic and jazz-infused duo Jonathan Kochmer and Sarah Scott, with the many friends and guests invited for Musical Tea (see each track for specific credits).

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